G . O : Workspace During Lockdown

 

Getting On :

Workspace During Lockdown : Desk, Study & Dinning Table

Like everyone I know - workspace at home has been a major change for a lot of people. For me - I don't have a fully dedicated space that fits me and my work, alongside side everything else in the home. I did my desk and hung art in a few places - this hasn't changed much during lowdown. However, I have had more time to work at home on art and other mediums, but not the space to keep ongoing work out for more than a few days at a time.

I have a good desk setup, which will be getting a new chair and a monitor stand (with a drawer) - Though largely unchanged during this time. Unless you count all my mess. I have knitting and embroidery projects to my right side at the moment. I've had some projects to use up materials, rather than buy. Including those boxes I've decorated for my partner and me. This has helped to make a little more space and create at least some more storage, before having any clear out.

Over lockdown I've had only 3/4 clear outs - only two focused on my work stuff and hobbies. The first was to make space for die-cutting and paper crafts, as you can see my shelves are decently full, in the pictures below. The second time, was to accept some fabric due to a clear-out of another home-sewer. While this meant getting rid of some scraps that weren't being used (tiny pieces), making quick plans for larger pieces and donating anything I knew could be used by someone else. 

Pulling everything out and organising usually takes a good while to sort. Last time, it took me 3 days, as I gave myself breaks and space. Walking away can let me see what I actually can use versus something I want to keep for the sake of it. For my process - I need to have a project even if it'll take a long time before I start or finish the project. I will need to go through these shelves and the cabinet on the right again, soon and plan sewing clothes or larger projects before lockdown is fully lifted in May.  (This is my deadline no matter what occurs, I need deadlines and timelines so times to focus on projects).

Dining table is another space I use but I like making a point of using it a couple of days a weeks for dinner, while my partner enjoys eating at his desk while there are other plans for both of us. We have a wooden table, second hand - so we have a table cloth to make it look nice. Protecting the table isn't much of a priority due to age and previous owners. The table has an extension but I rarely use this when working on art or hobbies, as I will just spread to fit the space I have. When I should keep myself under some control, when I don't need a 6 person table. 

This table has seen me through acrylic painting, watercolours, die-cutting, sewing clothes, pattern drafting, photography and plant care. Along with all my project planning and organising. This bit of space has been good to keep organised with my mess and make sure I clean up regularly and plan my weeks. Planning my time has been a something that's helped my mental health during lockdown - Knowing they aren't set in stone also helps. 

The rest of my space hasn't been decorated - hence the white walls but adding art and keepsakes to my areas has been great. I wanted grey carpets and white walls so whatever furniture and décor we pick will pop with colour and details. I am hoping to add a lot more with our current plans for our space.

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G . O : Workspace During Lockdown

G . O : Collages

 

Well, I found a forum with some advice and tips - one tip was making collages. I know I can do a lot with Instagram and other apps. But I like using my computer a lot. One site they suggested was befunky.com and it's pretty good. A lot of control and tools to do more editing than just a collage. 

I think I'll be making more with my own photographs and work. I find collages a great way to show off a collection of work or a theme. In the case above some of my favourite images of my embroidery. 

Clearly shows a need to work on filtering and editing my images to be more similar. More presentable in a collage or online shop front. Making layouts for my patterns could be really interesting, as could adding more text and watermarks.

There's a lot of different sites and apps out there to assist people with almost any project . Have fun, know what data you want to give and keep looking for something that works for you. This one just worked for me.

https://www.befunky.com/

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G . O : Collages

G . O : Patterns

  

Getting On :

Patterns : Feb 2015 & Sept 2015

Both of these patterns were gifts, passed to me from readers of Prima, I have the coat pattern from February 2015 & the dress pattern from September 2015. I like Prima patterns for their size range - and I usually collect patterns like this, as while I can grade sizes for a decent part. I like to trace a size I need and keep these paper, with any adjustments I make. While, there is no direct comparison here, I still plan to layout which I'm more likely to sew. I paired these two for comfortable autumn/winter wear, with the length options to make things more comfortable for different weathers and temperatures.

Prima Feb. 2015, on the left, is a trench coat style, with a wide collar and tie with a structure to the fit of the coat. It's suggested to sew in wool or wool mix. If you wanted I imagine a cotton mix treated for weather and water proofing would also be a great mix. This would likely need a more fitted look, facings and linings. Coats are something I need to try and practice more - I've sewn with wool and mostly enjoyed it. Just had to remember to keep up with hovering the space. I don't currently have a coat fitted like this - but I have some in a hoodie style, one for dresses and others are loose/not so fitted. I tend to not favour a large collar. This can be trimmed back with wool once made or use snap backs/buttons or stitches to pin them out the way. Or if more preferable close, closer to the neck. Wool and wool mixes comes in a lot more patterns and textures than ever. Examples could be a basic and classic beige camel, tartan, and block colours or tones. More modern twists mean a coat could be made with an Ombre fabric with metallic or dyed half/edge. The result could result in a classic and well used/fitted wardrobe addition or a striking unique piece for an event or specific outfit. I'd love a bright red, but as I have such a coat - I'd likely go for camel or a red tartan.

Prima Sept. 2015, on the right, is a loose draped dress with a pair of darts in the back. A gathered front around the neckline. There are two lengths of dress and sleeves. There are two As you can imagine, looking at a a pattern like this - it requires fabric that drapes well, with options in jersey, polyester, silk, and viscose. Some mixes would do well, if they don't have a body that makes the fabric too stiff. A dress in this style or similar can usually be brought or made in jersey, throughout the year. This pattern would be great for trying different fabrics - to learn how to treat them and the differences it makes in the end result. With such a staple dress you can't go too wrong with print, colour or fabrics. For myself I'd love to see an emerald green silk or jersey. I don't have enough dresses in either fabric, and while I love green I don't find the shades I like. Paired with the coat in camel I'd be warm enough with either result. 

In the end, both patterns are great and as I started out - I think these make a great pairing and would love to see these both made. Both patterns can make a potential staple for a wardrobe, but for myself I'd start with the coat. I don't buy many and wool is still an investment to me when I sew. I'd buy a coating fabric I'm in love with and work hard at this. Whether I go for something unique with colours, materials or thread choice, or a staple designed to fit me perfectly I've been waiting for. I also know I'll learn a lot more about a different style and construction by sewing this. I don't often have side panels and always want to practice sleeves, even if I don't add a lining to them (would help with a longer life and itching for sensitive skin). I still want to see the result of an Ombre fabric, as much I don't see myself wearing it. 

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G . O : Patterns

G . O : Project

Getting On :

Project : Box Recycling

I have had an idea to do hampers for people before the lock down, and recycling some boxes I have for a nice presentation. Since lock down - I want and would need to be able to send them through the post. So I figured decorate some boxes - using up my old paints to make some more space, and treat a few more people to something nice. I've actually moved on from my first two boxes, started making some gifts for people and came back to do another one in a completely different style. I won't say who they are for, or what inspired me in case any friends follow any links to this blog. No matter how unlikely.

I went for having fun and using mostly what paints I have mixed up and in my collection (I haven't topped up my paints in a long time). I used acrylic paints and posca pens. I will also add these took several coats of white and are semi delicate - they will peel if I'm not careful. Also to post these to my recipients I will also wrap these, making them a very colourful surprise. Each box was made with a person in mind, so I hope it'll be a good surprise.

I was a lot more playful with the first two, and left them a little messy on purpose. The second box I have photographed half finished as the next details will reveal who its for. I could have left the box as it was - I was happy with how it came out, even with the antlers looking a little chunky in places.

I had a lot of fun recycling these boxes and filling my time, the idea of someone receiving the box is a lot of fun as well. While it took a good part of 3 days work, I will state I do not expect anyone to keep these boxes. Acrylic paint can peel and stick to other items, especially when not sealed.

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G . O : Project

G . O : Books

Getting On :

Books : Metric Pattern Cutting

Winifred Aldrich's Metric Pattern Cutting , 1991 (reprinted and extended) - Original 1976.

This pattern cutting book was a staple at my university for fashion students, and we had 3 editions in the library. The contents are organised with students in mind - the acknowledgements show this, with the advice sought and the technical drawings are clear and easy to understand. The text explains any details clearly, and any references for differing details or options are all referenced well. Allowing any reader to find the page and compare the information and choices. Whether its referring to another basic block, the processes included or fit issues to address.

The editions we had available at university led me to look for any edition I could own for myself, because of my interest in fashion, while on my textiles design - weaving course. I got this edition as a lucky find while on a textiles/fashion trip to a old English home, which had a second hand book shop as an extension to the gifts shop. I  unfortunately can't remember the name of the place, but I do remember the purchase and how lucky I was to find the book. Let alone the first person to pick it up out of all the students. At the time I had found others online for 4/6 times the price, even well used. While this one though sun damaged on the spine, its pristine.

Reads - ' Metric pattern cutting has now been extended to
include a new section on computer pattern grading and
numerous blocks have been added to this edition.
Having become the recognised leader in its field, this book
 is written for  beginners and will be equally valuable to
students of fashion and design, clothing manufacturers
and the creative home dressmaker.

Anyone who wants to create patterns for original clothing
designs can follow the techniques directly from the simple
 diagrams and step-by-step instructions in this book. It also
shows how to combine the technique of good pattern
 cutting with the principles of design and so to create an
almost  limitless variety of styles.

Winifred Aldrich is an experienced designer and lecturer in
design and pattern cutting.' 

The blurb summarises the intentions of this book better than how I was trying to explain.  Each edition adds to the content and advice for those using the book at the time. Modernising and adapting as needed. Even the contents and the chapters change - in later editions this goes through sections of how clothes fit the body - body hugging - or adding information for newer materials and processes. The basics are always covered to help anyone who needs to go back to basics or just starting - with basic blocks, measurements and toiles.

I've included a select few pages I've kept marked for myself, since the month I brought this book, to show the brilliant instructions and technical drawings included. Books like these are so important to students and at home sewers to teach anyone what they might need. Further instruction or watching videos and going to classes may be needed, but having a reference that is clear and adaptable to aid in designing is amazing. I find it inspiring to go through books for sewing, and  needle-craft.
Flipping through pages remind me to try different sleeves and fits. Going out of my comfort zone a little to practice and build my skills.


I hope others find inspiration in the editions of this book, any similar books or in any way that works best for them.

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G . O : Books

G . O : Living Space

Getting On : Kitchen wall art

I moved into this flat and couldn't find anything  to decorate the kitchen, beyond a vase and a recipe tin to decorate the space. I did make some curtains with my fabric stash to match some of our appliances and cupboards  - black and white. So I decided I needed some colour and use up some paint while I was at it.

Since we just moved in it made sense to use up these canvas boards, and paint to free up even a little space - to help me enjoy the space.
We had decided to go with yellow for the kitchen, for a few reasons; I love mustard yellow, my vase, it works nicely with black and white, and lastly its a bright and strong colour since we don't get  alot of direct sun in from this window after 8am. It helps that my partner wanted some bee themed, yellow and cream beige additions to the kitchen and for dining table.

I started a quick sketch of the flowers I wanted - Daisies just like my fabric for the curtains. With sketchy outlines and all white. Then I did the backgrounds for the canvas with layers of yellow, mustard and a few mixed tones - in gouache(the darker mustard - i had more of this than any other yellow) and acrylic. 

While those dried I decided on my composition and whited out an area I decided the flowers and other features would be. Layering the white only where the petals and other bright features would be. It took me a while to be happy with the background - since I don't have much practice with backgrounds - textured or detailed.

I took a full day to do both canvases - alternating as they dried helped. I'm not super happy with the end results just content and they provide the colour I needed for the space. I do have a home for when I finally replace them - my nana wants them both and enjoys them more than I do.

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G . O : Living Space

G . O : Living Space

Getting On : Studio wall 

 I have a small wall where I'd be hard pressed to find a cupboard to fit my odd sized tower for my PC. So, I have decorated this with a cork board and art. Everything here I've made myself or remind me of people.The cork board its self is decorated by me, as I needed something to be practical at a previous home that added some more colour to a bedroom. I wasn't allowed to paint or redecorate the space.

Cat - Mam, and visiting york.
Sign - Emily, an old housemate.
Polaroid - Dad, its of us when i was young, visiting a zoo.*
Mini print - Nana, London trip with two of my sisters.
Embroidery - I made this, with my nana in mind, but I wasn't happy with the result to give it to her.
Carriage - Old Christmases - we've lost a few of these. I think they use to be string lights and maybe used them as toys.
Ticket - Emma, a school friend. We love going to the arcades.
Postcard, lady - Step mam - she brought this for me and wrote the sweetest message.
Larger prints - London trip with two of my sisters and nana - I got to show a few areas I'd visited with friends too.


Bow, Tags, clothes peg - I've made/decorated these for practical reasons to use but wanted more colour.

*Yes I am scared to death, I couldn't put down my hand before they put away the small snake. I tried to be brave with the little one. I wasn't ready for one that was about 4/5 times longer.

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G . O : Living Space

G . O : Workspace

Getting On : 

Workspace - My Desk 

Well, I have my work space more furnished for me now. I moved in January 2019, I starter with building a desk after my first few months - I didn't have a desk to move int with, until my partner. But he also got an upgrade later on too. So it took me entire day to put together this desk from B&M, only because the 'locks' for the interlocking sections are super annoying for me. But when it was done I had a clean white desk with; my oldest sewing machine (its a year older than me), my computer at an angle and my brocade style place-mat. I finally had work space for myself, my art and just general filing of things away. So the next jump was to fill my shelves, just under the desktop - too easy, and to customise my space and the white walls I was sticking with. I didn't feel like I want to hang too much or paint because this is my first place renting, with my partner of 10 years - I simply don't know how long we will stay here. So I got some art up too - If you follow my Instagram you likely found this fell down - scared the life outta me at 12/1am to not realise this happened till the next day. Luckily - I hope I don't jinx this - this hasn't fallen again, yet.

1st black shelves, then white desk

It was always the plan to save up and come back to add more storage that would fit well for both of us. Well the first addition was these tall slim DVD / CD shelving, we got from amazon. This came in about 5 boxes, but the shelving is similar to IKEA and we can adapt the shelving height. This is perfect for my partners dragons, and both of our collects of DVDs, games and books. With space to grow, as well. But we have papers and files and other collections to store.
So, the next thought was deeper shelves and cupboards but they also had to fit in either 2 spaces. By the door or by the window.


I picked out this glass fronted cupboard that was close to the depth of the wall and a deep shelving unit -both are deep enough that they will let me have folded fabric, boxes and best yet, my sewing machines stored sideways. I have two full sized and the cutest mini machine (that is a real pain to use, but it was my first and the only one I've brought myself).  When I got these units, my partner also treated themselves to a new desk - this is a kids desk pulled to full height and is no more than 2 cm shorter than mine. The pull was the shelving attached to the back and the legs have mini shelves between them - ideal for cable management or as he uses them for pencil cases, sweets and cable ties.

I still haven't decorated the glass front cupboards as the doors have to be clipped completely to do it - unlike the descriptions from IKEA.I had two guys and me putting these together and it was still difficult. So I want to display my swatches and art in the doors. But because its a right faff I am holding off until I can find a combination I won't want to change straight away.

In the end I have the shelves and cupboards pretty full already, but there's some areas for aesthetics, and only a little left as a space to grow if any. But I have also freed up space elsewhere, since I had a jumble of stuff in other areas. Now I have things collected together and loosely organised. I have been trying to go through my fabric stash, since I finished this. It's a lot quicker now since I know where my zips are, my ribbons, thread has three bins and patterns are all gathered together as usual. Decorating a these bits and pieces has also been a fun way to use up my art supplies too, as well to enjoy the space.

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G . O : Workspace